​Covid 19 has brought about a lot of change and uncertainty for everyone including us and our team. One of our members, a part of the CoActive Arts family, Dan, explains how he worried at first with how he would cope to now... he is making the most of staying at home by adapting his schedule during this difficult time. 

"How my new week looks currently compared  to my old week" 
By Dan 

I’ve been used to going to five different groups in different places.  However, everyone’s being told to stay at home, unless it’s essential that they go out, so I’ve had to make changes , but I’m trying to make the most of my time while being at home...

Here’s how my new life looks: 

Mondays:   I do some social media training over Skype, with someone who knows a lot about this, and I’m learning to say I’ve finished, because obviously they can’t see when I’ve finished doing something.   

Tuesdays:  I try to either have a chill day, or try and do some website work for my parents’ printing business.

Wednesdays:  I have a 40 minute Zoom meeting with a couple of CoActive staff and members, and we tend to share news, discuss arrangements for the DVD and if there’s anything we’d like to include in the DVD.   I also have some more social media training over Skype. 

Thursdays:  I have an online drama session with one of the artists at CoActive on the CoActive Facebook page, and this is all about us typing ideas up for whatever they have said, this usually lasts for about an hour.  I also try and have a read through my lines ready for my theatre group meeting on Fridays, which I’ll explain below.

Fridays:  I have a 40 minute Zoom meeting with my theatre group called In The Sky, and we share one piece of news and then we have a line readthrough and we have to try stay  quiet, when others  are talking, otherwise it goes wrong.   I also have some more social media training over Skype.  On a Friday night, I relax have a drink and watch a bit of TV.

Saturdays and Sundays:   These have changed a lot since coronavirus started, as I have to watch some old football games to fill the void of no sport, which is OK I suppose, but not as good as the current football which I miss badly.  But I do get to watch things on TV that I would have had to record and watch on a Sunday morning. 

My old week used to look like this: 

Monday – Go  to do social media session with Sophie in the morning, then football and multi-sports on a Monday night.
Tuesday- Volunteer as a coffee shop assistant at Barnsley hospital on a Tuesday morning, then on a Tuesday night I would go out for tea and a game of bowling with GT Care.
Wednesday – I would go to WWMC to CoActive and do their sessions from 10am-3pm
Thursday - I would go to WWMC to CoActive and do their sessions from 10am-3pm
Friday – I would get picked up by a 1:1 on a Friday morning, and I’d go to Into the Sky theatre group at Pontefract Racecourse from 10am-2pm
Saturday:   I’d watch my sport all day, then get ready to go to Carlton Club with GT Care on a Saturday night. 
Sunday:  I’d either go to a Featherstone Rovers game in person, or I’d listen to them if they were on BBC Radio Leeds. I would then write a blog post for my sports blog on the game. 

How has your week changed? 

CoActive Arts who work with adults with learning difficulties in Wakefield, West Yorkshire offer creative movement, dance and drama sessions as well as life skills. 
Here one of the group members Dan shares what happens in a session: 
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​Creative things to do for adults with Learning difficulties 

The sessions are: Creative dance/movement and Art
Development
Drama
Dance and Singing
 
On a Wednesday morning, we split into two groups:  Creative dance and Art.   The creative dance group come up with ideas of what they want to dance about. At the moment, the creative dance group are working on movements for a musical they could do.  Recently, the creative dance group created a piece that they performed at the Ridings, which was based on four things: Twist, Crumple, Stretch and rise and fall.  The Art group do art based on what the dancers are doing, so for example Our project at the moment is based on musicals, so the art group are doing art based on that.  What I love about the creative dance session is that for the last 2 projects, we’ve done something different to our usual performances, which is perhaps making us think more.  We do this session from 10:30am until 12:30pm.
On a Wednesday afternoon, our session is Personal development and wellbeing .   So at the moment, we’ve been asked to do some artwork by someone called Tony Wade based on the four standards at the NHS, because he told us that too many people with learning difficulties were dying at the NHS, so he’s working with  groups across Yorkshire to create some artwork that define these four standards.  Me and 2 other CoActive members made sculptures out of wire to show that people were involved with each other, which I thought was a really good thing to make, as I hadn’t done anything to do with wire for a while. Some of the other things that CoActive were planning to do on a Wednesday afternoon have had to be put to one side, for a while but they include: doing table top games, going for a walk somewhere, visiting farms and some other interesting stuff. What I love about this session is that we will be able to get out and about once this crisis is over, and do these fun type of activities.  We also occasionally have Steering Group meetings, which is where the core group on a Wednesday discuss what type of decisions we should be making at CoActive. These sessions are from 1:30pm until 3pm on a Wednesday afternoon.
On a Thursday morning, our session is Drama. What we do in this session is we start off by doing a physical warmup, followed by a vocal warmup. Then we may play a few games to get our brains warmed up, and then we either do drama based on ideas from people or at the moment we’re doing scriptwriting that may or may not be used in our musical.  
 
On a Thursday afternoon, our session is Twist and Shout. It’s a little party like atmosphere as before the day opps people come, people can choose a song to put on, or they can sing a particular song. And then the line dancing starts and we do a few linedances, led by Mel or someone else if they know the moves.

We do:
 
​Cotton Eyed Joe, 
Achy Breaky Heart/Don’t be Cruel (we alternate)
Wannabe
Hillbilly Rock
 
Then we have a 5 minute juice break where people can sing a song if they want to, and then after the juice break, we do one more line dance called Waka Waka
Then we do some bellydancing, and here’s what we bellydance to:
Spirit in the Sky
Hips Don’t Lie
Whenever, Wherever
Reggaeton Lento or Subeme La Radio
Then we finish with Happy which is another line dance, and then we have a cool down song which is: Let them be Little.
Then to end the session, usually Anne, Barry or me sing a song to two.
What I love about this session is that people enjoy it, and they have a smile on their face and it makes them feel good about themselves. 
This session usually begins at 1:30pm and runs until 3pm.

At CoActive we have a goal for our work to be led by our members. The People’s Health Trust funds our work and as a partner in addressing health inequalities, putting our members in charge is a shared goal for our project. NOVA also funds a weekly afternoon session which compliments the morning session with skills development.

With such a lot of members, it is impossible to address everybody’s preferences. There will always be a fair amount of compromise. Doing this well is easier said than done. Within CoActive membership there is a prevalence of people who are happy to please and go along with things, and others who like to assert themselves, but are seen as difficult or unreasonable. Both characteristics can end up with people missing out on influencing the direction of travel. To be honest it is easy to dress up the quality of our work in this regard, so this blog post aims to take an honest look at our recent work.

Our core group of members meet on a Wednesday afternoon to, among other things, engage with the politics and decision-making within CoActive. During one meeting recently, in order to evaluate the degree of self-determination within our group we spent some time breaking down the decision-making process. We looked at 5 stages:

1.  The question?
For example:
What should we do next in our sessions?
What about providing soup for everyone at lunch-time?
Do we take on this invitation to perform at an event?

It is important to look at who sets the agenda. For us, usually the agenda and questions flow from what has gone before. Occasionally, random suggestions from members take root and become future direction, but usually future direction comes out of evaluation of what has happened and so forms a journey that we are part of together. Sometimes the agenda is set from opportunities that arise. For example Wakefield Council set up an event called, ‘The Museum of the Moon,’ and we were invited to make proposals to be involved. So Wakefield Council kind of set the agenda in this instance.

2. The ideas and options around the questions
This is a strength with our group. Generating expansive, multiple ideas and options around a question is the easy bit it seems for us. In fact generating so many different ideas makes the decisions harder. This is maybe a symptom of being a bunch of creatives, facilitated by artists. The role of our facilitating artists includes introducing new approaches, techniques and possibilities. We give our artists license to inject ideas and so they do influence the process here. We have been good at making time to dream together.

3. Weighing it up. 
Even though most of our members have cognitive difficulties and/or communication difficulties, together we have considered really complex factors. This includes costs, and time constraints. We have looked at the benefits of taking on an ambitious performance piece, which sets us in a channel of hard work versus the benefits of less ambitious and being able to respond more to members needs and wishes week by week in a more fluid way. For us it goes in seasons. We have considered how tired we have felt and the fact that some of us are getting older. We bear in mind that some factors are more weighty than others. Creating it visually with pictures helps everyone. It takes the thinking out of our heads and makes it physical. If someone in the room struggles to understand and process the factors, the fact that they are there means that the others consider their needs as well. 

4. The decision
The decision usually follows on easily when a lot has been put into the previous steps. Sometimes it is a season to go easy for example, and so necessary to help the group reflect on the big picture, that next time maybe a different matter. We seek consensus, finding out what is troubling to people about a decision and modifying things to try and suit. The capacity (time mainly) of facilitating artists to enable the needs and wishes of the group is a massive constraint, which inevitably puts a lot of power in their hands of the artists and unfortunately often puts them in the position of final decision maker based on this. Our response to this so far has been to employ a Development Worker to try and address unmet requests, and also to build capacity with members to take on more responsibility and do more for themselves.

5.  Feeling part of it
More than ever we are seeing that holding responsibilities and having simple jobs within the group, helps us to feel part of it, because we genuinely are. During our evaluation of self-determination holding a place and doing a job led to members feeling that they had a strong voice within CoActive. I am still trying to understand this fully, but I think it may be that having control over small areas, even if it is keeping up with the vacuuming and being an important cog in the whole workings is empowering, even if influence over strategy and the overarching decisions has appeared minimal. A lot of people are happy to go with the flow, but want to be there for the discussion and be part of the story. Thank goodness that not everyone needs to assert themselves all the time. Following through and being part of the implementation soon gives rise to feedback. Even if that person cannot verbally express issues, people around will soon realise when that person isn’t fitting in well and remedies often follow quite naturally and this influences direction.
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Artwalk exhibition.
Our Art Exhibition in The Museum of The Moon gave us fantastic exposure, with very large attendance. On reflection, although all the artwork was very much from group members, the curation and set up of the space was all done by me for the group. Within the group we decide to work towards another Art Exhibition for the next Art Walk. Artists can develop the work better and be involved in the planning and curation of the exhibition. Rebecca gives us the contact details for Lucy from The Art House who is coordinating Wakefield Artwalk. She offers us a space at The Ridings for the November Art Walk. Later than what we first intended, but we decide to go for it. Lucy takes on board and supports the idea of the group being involved in the whole process of planning and curating the exhibition, by hosting a meeting at the Art House for the whole group (11 of us that day), to discuss and plan. During this meeting we have a piece of paper for each week leading up to the exhibition and write down the tasks that need to be done. We follow this up with another meeting the following week at the unit in The Ridings where our exhibition is to be. Group Members measure the space and take photos. 

Our morning session leading up to the exhibition we work on our Art Work, and in the afternoon we work on the planning and prep around putting on the exhibition. One afternoon session is particularly memorable, some are writing a letter to plan the exhibition day and communicate arrangements clearly and with individual’s carers. A couple of members take a tablet and hunt down some lanyards for sale, because we understand we will be present to host the exhibition. Artists are helped to write some information about their Art Work to display alongside the Art. We get to mount some of the Artwork on mountboard together, but then a lot of it is left to me to do. Not too bad though, and at least I get to discuss mounting preferences with all the artists.

The exhibition space has a slat wall system. I order a box of hooks that fit this system for easy installation. I buy good gaffer tape, fishing line, and thick thread, thinking, ‘Keep it simple,’ with the idea of sticking the thread/line to the back of the art work and hooking it on the slat wall hooks. 

Everyone shows up for the Exhibition set up on the afternoon of the day. Good energy and excitement. A couple of members go on shopping run to buy refreshments and do a good job. The second can of spray mount which is a different make to the first but looks very similar turns out to smell very strong, which causes some problems and is useless at sticking. Sticking line to the back of the Artwork with tape, turns out to be a lot more challenging than I thought, and it turns out it needs to be done well to work. There are no tables, and it is hard for some working on the floor or with work propped up. This fills up the attention of all those assisting, and slows everything down. The actual business of negotiating whose artwork is going where is rushed, but everyone works well together, and are happy with their space. Absolute disaster when we find that some Artwork is missing! It turns out to be somewhere obvious, but this is frustrating and diverts our attention from where it should be. The group break for the planned evening meal out before returning to host the exhibition. The eating venue wasn’t agreed beforehand, and the group argue and split into two groups. Members returning from the break find 3 Students from Wakefield College volunteering to help, sent by Lucy. The extra help is a game changer. Some artwork had fallen to the floor. Repairs made by our volunteers and all artwork has hangings attached. 3 extra people to come alongside members and help position Art means we are ready to open. 

CoActive members really step up and talk to people coming into the exhibition. One particular member struggles to talk to anyone, but engages with strangers about her artwork. The shift pattern planned in advance works a charm. Members spell each other off so as not to swamp the space and take the opportunity to visit other exhibitions and meet other artists. Guests appreciate the Artwork and get to share some moments with the artists and get to have a window on their world. Authentic deep human engagement. All CoActive Members seem very positive and energised by the experience.
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CoActive Arts led a community ‘Secret Garden’ themed Easter Camp for young people in Havercroft, West Yorkshire as well as running a range of drama, music and dance workshops in the area. The project was funded by Culture Cures through Wakefield Council which enabled 31 children aged 8-12 years-old to take part in the 4 day Easter Camp. 

 The immersive theatre experience included music, drama, art, vlogging, dancing and much more on the itinerary, all set within a Secret Garden setting which had been created inside Havecroft and Ryhill Community Learning Centre. The camp was led by a team of six professional artists, five teenage volunteers from Ryhill Youth Group, a volunteer act from with learning disabilities from day opportunities, two volunteers from Havercroft Parent’s Forum and one employed member of staff from the parent’s forum. The camp culminated in a performance for 30 parents and carers inside the community centre. 

To get a feel of the week and to hear what people thought about it take a look at our film:

As well as the Easter Camp, CoActive was funded by Culture Cures to lead six youth sessions in drama and dance with 20 young people attending each session. CoActive also ran two sessions of drama, dance and singing for adults with learning disabilities with 15 participants attending each session. CoActive also held a training day for Havercroft parent’s forum with drama games and storytelling for the five people in attendance.

The Heritage Lottery Fund awarded CoActive Arts with funding to help our group of adults with learning difficulties research what life was like for people with learning difficulties 120 years ago and to research how things  have changed.

We did this by making films about people lives now, interviewing people with learning difficulties. We also found out about people 120 years ago by visiting the Museum, the Archive and the Library and then using  drama to bring it to life. 

Start of  our Heritage Lottery Fund project 

The group started by doing film interviews, and deciding what to talk about.
It was really useful, because we got alot out of it & when we showed our short films out in the public. We thought it would help out others to understand & learn about us.    

The making of our film project 
Everyone enjoyed setting up the cameras and lights but we soon realised that having too big a set-up could be intimidating for the person being interviewed. So we tried to film in a more informal way and used our group table time to discuss important topics. 

Once we discussed general themes, such as school days & support. we then focused on individuals stories. we dedicated alot of time to individuals stories, and the editing process.

Editing our Heritage Lottery Funded film   
Then came the longest part of the filming process - the editing! 
We started off editing in big groups so we could all take part but we quickly realised this wasn't conducive and it was hard for everyone to follow.
So we started editing in smaller groups so that we could get more done and people could have more control and learn to skills. ​

How we found the project 
We didn't just help others learn about what we did. but also we learned about knowledge we didn't know ourselves.

We hope others watch our films & learn about our own history. 

By Dan and Dabion, CoActive Arts members 

Our Coactive film-makers went along to mark International Women's Day in Wakefield. 
​As part of our Thursday morning session, where we work on interviewing techniques and filming skills, we decided to put our work into practice. 
​So we went down to Wakefield One in the city centre and met organiser Sarah Cobham of Dreamtime Creative... ​
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